Normally, I can’t stand
the present. So I move on.
This gets me out of here,
and so I live, I continue
to exist. I continue.
Because I’m always
moving out of the
present. Away from
now. When you tell
me to slow down, I do
keep moving, but I have
learned the art of placing
one foot firmly in the ground—
so that the foot is buried—while the
other foot is stretching and stretching
until it is almost out of the picture, until
it is almost on the horizon, but only the
upper part of it (my leg), because the
foot itself, the one at the end of the
stretched leg, is outside of the frame,
but it remains in my mind. Which
is to say that I am of two minds,
once you have told me to slow
down, as you always do. With
one leg half-buried in the ground
that is directly beneath me, and
one stretched so far away from
me, from us, from its twin,
the other foot, the other
leg, that it cannot be
seen, be ascertained,
except in my mind, which
is split. It is only when
I am of two minds
that I can truly
sense the
movement, the vector
and all of its associated
mathematics, that I can
see, with my two minds,
through my minds’ two
eyes, that I can sense
a direction, the
something
that is in relation to
where I am, this builds
me until I am of two minds
and can see, can sense, that I am
moving in whichever direction, that the
feet, both of which I can no longer see,
the one that is buried, as it relates to the
the one that is buried, as it relates to the
one that is so far in the distance that it
cannot be seen, that this command,
which I obey, is how I get to know
myself, that the angle I have
become, where that outstretched leg
now points, in relation to the
one that is buried, that I am;
I exist in this movement.
I have direction.
cannot be seen, that this command,
which I obey, is how I get to know
myself, that the angle I have
become, where that outstretched leg
now points, in relation to the
one that is buried, that I am;
I exist in this movement.
I have direction.


















