over two decades in the making.
a timeshifting autobiographical poetry collage w/photography.
a diaristic, nearly "daily writing" (ad)venture.
new pieces are posted most days..
**new and in progress** --
recordings of each poem are being added.
these are read by the author & posted to each poem's page.
--Del Ray Cross (contact delraycross at gmail)
The very first poem I wrote was called “Math.” It was an assignment (“Write a sonnet.”) that was given to my class as homework when I was in fourth grade
sometimes I’ll go five six days without writing a note. not one. and I have to tell you, or maybe it’s just that I want to tell you. I want to tell you that when I go nearly a week with out writing one single note there is something physical that begins to settle within me. that is an illness. like a cold or something. more like a stomach virus. like what we call food poisoning, does that not cover a lot, food poisoning? yes it seems to me that is a particularly good way to describe what it is like. there is this getting sick that happens in which it feels that all of what is inside of me needs to come out and tries so hard to do so but nothing does. so my entire body becomes this thick achy swollen log sort of thing and I’ll sit with it and sit with it and sometimes I have to go to work or take a walk to the grocery store or run errands but I’ll do just about anything to get out of moving at all when I’ve not taken a note for several days. it doesn’t take very long for me to realize. in fact the older I get the sooner into this big achy swollen log thing I am when I realize that of course. I haven’t taken a note in nearly a week. and notes are easy. how easy it is to write a note! some notes are easier to write than others but come on. so I write it down whatever it is I write and almost immediately I feel just fine.
scattered across the countryside like cows, animals of a kind, youth, show us what they think they have. the rest of us grow cross, place one arm over another and glare or pretend not to stare. those with more discipline make good with a side-eye of glum. those with a modicum of pity go about their business without a singular stance that would not find even the blurriest patch of these kind in their peripheral visions. these folks know the very same thing those who can’t keep their soiled noses to themselves do, which is what these distant middlings have, what they’ve got, it’s piping hot, too, down here in the valley of the moment. but more than that, the naive show-offs practicing their poses for each other, and perhaps, but a much smaller fraction, percentage- wise, for their mothers and fathers, those wise asses who can’t keep their eyes off of them, have something those curious, envious providers do not: a whole lot of potential. but the worst part, and these loving oglers know this, too, is that most will never begin to see it, even if frantically searching for it, whatever it might be. and most that do finally catch a glimpse don't bother to lift a finger at it, much less stretch out a lanky arm, its bones still vibrating from the physical growth, in a decent attempt to grasp it.
Can we not change the subject? Didn’t everyone in the history of everyone live during a pivotal time in history. From some angle? Which
time was most pivotal? That’s not rhet orical. Is this when we throw our hands up and say we’ve just been too curious? Who here thinks they’re simply a cog in
a wheel? Well, not a wheel, but, oh, let’s say a globe. Now I’m being too cute by half. Hm, that’s the first moment I brought things back to a singular me. I started this entire
thing wondering about the gutlessness of the utilization of the plural, we. Who else is here that isn’t saying, Oh, so he alone lives. We’d all rather condescendingly tut-tut than own up?
do all of these words aligning the fancy paper within these pretty envelopes tell the very same story?
perhaps we need a few gophers running around telling us all— demanding—that we tell it differently. or that we say something entirely different, top to bottom.
we being the few of us correspondents who are left, trying to introduce ourselves to perfect strangers, day in and day out.
the few of us. haven’t the numbers been recently crunched? aren’t there more of us now than ever?
and when we each read the words scrawled upon one of those pretty pages after ripping open one of those envelopes that has only just arrived, are we not just a little too loud with our hello, nice to meet you, my name is so-and-so, and i am so happy to receive your missive.
i’m single. well, i’m actually in an open relationship, but the real truth is i’m married, fully committed, and i’m staring over this pretty letter out to my backyard from my porch swing that i swing back and forth upon most evenings because the weather is always nice here. i grew up in... i went to school at... in the armpit of the nation, that is correct. i studied a lot of things, but more than anything, school was a place where i began to really understand who i was. and who i am is....
Lately I’ve been recording a lot of my own pages of writing, my own poems, the poems in this very
long group of my almost daily writings, and so I’ve been posting many of these recordings
that I’ve made out loud of my own words knitted with intention at various aspects of the past twenty-two years,
occasionally finding sets that I wish I could catch the spirit of writing today. Sometimes that is almost possible. In the
style of. Rather than renditions or riffs on short parts of poems or even new versions of entire pieces, which are often easier to
do? Yeah. Today the ones that have given me the itch to try to repeat stylistically are from sixteen, seven teen and eighteen years ago around
this time of year, summer. How specific I’m being. Yet how vague, because is it the style of a piece I want to duplicate or what I might
have been feeling at the time that I wrote these pieces that give me a bit of a tingle up the spine like a few of them have for me today?
Perhaps it is strictly impossible, this repetition or revival of whatever it was. Of course I can’t be or do the same exact thing altogether so as
to create in me such duplicate desire,
but the attempts at these things can set off a series of echoes that are, as far as I am concerned, nice to
listen to. But I’m not the same. Even a line identical to one I wrote however long ago will mean a thing at
such a distance far from what the original
line did. It is as if the lines speak un
ecognizable languages at each other;
they look the same but are so many years separated from each other.
This lack of resolution, the gap between meaning, is the joy of it all, no matter how fun it is to try on the old woven words if a jacket found at the darkest
end of a closet, were I to have such an aged one that I might explore.
should have been the punch line of today, and vengeance isn’t anything that comes easy to me, but I’ll rebelliously rather begin with
the fortune that I received in the cookie that was in the little plastic baggie I received with my main and only meal of the day today at
Panda Express in what was recently called Westfield Mall in, I’ll go ahead and say it just this once, dying down town San Francisco, sometime mid-
afternoon. Where I lost my wallet either at the cash register trying unsuccessfully to receive a 20% discount I was promised via email.
Or at the soda fountain after getting all of my food after that unsuccessful attempt somehow together in one clump within my arms. Or at the
table so close to that soda fountain (in case I needed an extra sip or two before I finished my meal) where I devoured my dinner. Or in the trash
can as I left the mall to head toward Target, which is where I, after filling up a grocery cart, finally realized my wallet was missing, that it had no doubt
been discarded or left with all of the plastic and green and government issued thisses and thats that we all deem so important because of their
absolute necessity at times—at one of those four locations I just mentioned. So rather than punch the end of the day, I just thought I’d get it out of the way,
so that I might perhaps move forward past 10:45pm on a night when I need sleep, for tomorrow will be a gnarly one at my job, and jobs—and jobs—are the
The hysteria of optimism pervaded. I can remember it. I don’t want to go back there, but don’t we all? It seems so backwards-headed, this
retro I find myself looking forward to. It is the direction I catch myself looking. I think it was the afternoon I spent in Tallinn, doing some sort of
run-of-the-mill tour of an old part of the city. Big white wooden walls, a bell tower, something like that. I’m snapping away with my phone and I
see a rare line of graffiti scribbled in waves, vertiginous swerves, at the bottom of one of those walls, or near where it met a leg-size height of con
crete. “Retro-futurism.” That’s all it said. In Tallinn, Estonia. The guy standing next to it like some old-timey Vanna White, an arm half-outstretched
Where do they come up with these insipid questions? he’s thinking. A dude who came of age in the 1980s, this guest had the concept of brand-
forward down to a science. An art.
He knew people who watched QVC for hours, usually only half-watching it, but it was on the television. He still doesn’t understand how it is legal to have prescription drug medication advertisements run all hours of the day and night now, not just that fifteen or thirty minute commercial after the last talk show ended back when he could first officially stay up that late. What’s he thinking?! Who is going to care what my answer to this is?! That’s when it dawns on him that maybe the questions were meant to make him seem insignificant, to bore the fuck out of the audience, of the how- many-ever millions who tune in. I’m a freakin’ rock star! he reminds him self before saying out loud Hell no! and lifting his butt out of the un comfortable chair and storming right to the curtain, zipping between the host and the audience whose
every mouth was agape and at
the ready with their own response to the dodo query about whether
That’s a daunting one, and one that has be come so difficult for
me to even think about. Is it not sometimes better to just place one’s hands over one’s eyes and ears? (I’d never say that it was, but doesn’t it get exasperating, whether sitting on your laurels or jump ing into the fray, it’d be too much for me, being an activist, a real activist, not a, say, I live in San
I have to laugh at that question. It just reminds me of something that
gives me a jolt, how when friends, people who know me, suggest that,
of course when I’m going through something that at that moment is a fairly extended hell, for example, I mean I’ve had some tough times,
and friends would read these, on
occasion, folks who know me (it
used to happen), and say I should
n’t be so...nostalgic is a word I would
use, but, backwards-looking? the funny
thing about nostalgia with me, and that
word rings more sweet than bitter, right?
I can look back at times when I was a
horrible mess, weeping at every turn,
say, and think, Weren’t those the days?, I can, and they were, looking back fills
me with such pleasure, an uncontrollable
smile forming, I can’t help it. And those days, even though they were horrid, I
tell you. In reality. Or so I thought at
the time.... In retrospect some were
hell in actuality. I can see that. I came of age, well, I came of age in my late 30s, at the earliest. But. I was an adolescent at the end
of the 1970s, the cusp of the 1980s, so people my age either glow for disco or for, say, Duran Duran, The Thomp son Twins, Howard Jones – well, I’m
dipping a bit into obscurity, but that’s where I am, and always was: the pre sent as it aims like a madman at the future. So when you ask which I prefer
most, sunsets or sunrises? I like dusk. I love walking through a quiet city at four in the morning. And when I’m working, when I have a regular busi
ness hours weekday job, which has been my paid career, which, thanks to one of those not so great times I almost got shut out of completely,
for several years, basically, but I’m back in one now, and it’s energy for me, and it’s awesome, say, to get up at three in the morning and just
do this tap tap tap or scribble scribble for an hour or three before heading into the office, somewhere in the between of which the sun in my
vicinity will start to seemingly float like a fishing cork upon the bay for a while until the sky takes it as its own for a few bright or,
perhaps, foggy hours. Either way, if it’s straight above or starting its descent or seemingly about to drown in the Pacific, it’s all about where it
is. And where it’s going. For me. I can find some happiness remember ing where it’s been, who I was then, but only in relation to who I am now,
and, well, just as importantly, how that has me aiming toward some body I want to be later, tonight, tomorrow, next year, however
long it takes me to get there, if I make it there, will I make it there? I’m a now guy on the move, always have been. And
yet, in answer to your question, I have to say, and this may be more about where the sun winds up, for me, when it winds down,
but I am a sunset guy. Yeah, I prefer sunset. I’m a morning person, but the beauty of a sun diving into the Pacific tells the
truest and most beautiful story as far as I’m concerned. Go figure.
I can’t think of a work of fiction that I’d want to model my life after, at least not at the moment, and that’s not the way I think when I read. When I read something so vibrant and so aspirational for me, it’s not the work of art that I aspire toward. It’s the artist.
Which is what I’m calling this piece inspired by a graphic that I just saw in my feed on LinkedIn which was entitled “A Day in the Life of a Founder.”
It looks to be a riff on the graphic of the evolution of man that starts out with a stooped ape-like figure and winds up an upright human-like figure.
Except in this case it starts out as a standing but slightly stooped human- like figure that gets more stooped then is seated with its hands over its
ears but by the end is sitting prostrate on the floor with its head bowed as if in prayer or obeisance. You get the idea,
surely. But what’s funny to me about
this is that, well, I’ve been getting notices from LinkedIn about jobs commensurate with my experience (as they say). When I’m not doing this (and, rather, getting paid), I’m
an Executive Assistant, by the way. Have been for over 30 solid years now. That’s my plug, in case you’re hiring. Haha. Any way, the funny thing is that for some reason,
for several months now, LinkedIn has been sending me, in addition to Executive Assistant (and commensurate) job listings on pretty much a daily basis, listing for jobs
with the title “Founder.” Founder? Really? Who advertises for a job with the position of Founder, I wonder. Wouldn’t the Founder have not only found that job on their own,
but have founded it, so to speak? Seriously, I am so intrigued by this conundrum that I haven’t even opted out of receiving them. So, much to my amusement, they keep coming.