5am walk down Bush orange lights pepper the skyline morningbirds
suggestions for cubicle: (or suggestions tossed into my cubicle at 7am:) Sophie Ellis-Bextor Amy Winehouse’s Valerie w/Mark Ronson (or vicee verso) and Groovejet
at Chevy’s off to a tuff start sirens at odds with Philip Whalen
autodidactic sonnets at Martuni’s and then off to sex
When I kiss you I become beautiful. It is possible. You compare Asia de Cuba to Eyes Wide Shut. It is dark, somewhat foreboding, alienating, sexy, contrived, warm, wooden and tipsy.
I love it. We concentrate on eating slowly. Even when brought a giant cake that could feed the entire jungle.
Perfectly still. Focus on the sheeny wrinkles of the back of my hand.
Things I can be thankful for: public transportation in the middle of the night. Who could forget the war with its bright floods and its blue geraniums?
I don’t like pain. Or maybe not. I do like some pain. Um ... okay.
John Wieners on the bus whispering hello and “Nothing keeps it together.”
“I pretended to be somebody I wanted to be. And finally, I became that person. Or he became me.” —Archibald Alexander Leach (Cary Grant)
Not enough voice. Complaint level 5. One leaves the dance with nothing but a wilted salad. Forget word. [Sand-covered combat boots; several cities clumped hotly together.] Enjoy space and time. Cough up another extension. Worldwide Viagra delivery.
“Sure, I’ll be discreet. I’m even discreet with myself.” Is it immature to still desire (require) a thorough reading of my own work (by somebody else)? A particularly absurd and violent Sunday in an orange San Francisco. Two cloves of garlic into the pot of sliced zucchini, salt and pepper to taste. Can’t seem to pull anything out of the air; instead, while away the afternoon with Jack Collom and Lyn Hejinian interview, time enough to pick up a grocery item or two, wash the dishes, a fragmented life. Acupuncture consultation tomorrow.
The cat is perched on the router again. She’s full of disruptive ideas.
What we’ve got’s an increasingly apathetic public mind and I’m not ready to end it yet. Take, for example, the shower scenes in Gus Van Sant’s films. Trace the trajectory from Psycho to Paranoid Park via Elephant and you’ll see why.
Confusion is the better part of dialectics. (L Hejinian) Yes. We’ve always so much trash around. (Picked up My Life at Green Apple on Saturday. Now it’s just us and the blackbirds.)
A small bottle of eyeglass cleaner stares us down with sobering inadequacy. Incapable of quelling the frenetic need for POEM.