small town with a huge marquee. water and sewer superintendent of the 20th century. star football player enters dramatic theatrical foray: plays lead male in senior play
opposite gramma. whom he barely knew. except with whom he had (for a variety of unrelated reasons, reportedly) often found himself red- faced in argument. dapper red-face often contorted into a look of utter bewilderment. could skew more at stupefaction. for numerous reasons. but who, gramma, in the play, would say something (more strict from the script but, pointing finger, to the tune of) ‘i’m gonna keep my eyes on you, mister, even if i have to stare at your face from across our kitchen table every breakfast- dinner-supper every gosh-durn day for the rest of my life.’ seventy or so years later she meant those words script-free, all inside her body and especially way down into her heart, no longer just in character in some small-town production. even though her 1940s were now tucked neatly into a dime- store novel that could only be reached by beckoning the airwaves. even he’d been gone already for a decade. of that grand story and its long run on east main street, sixty years of no small-town marriage, she’d be happy to remind anyone who cared until she repaired her crooked joints down into the sunken bed beside him.
If Dr. H had been the Chair of the Poetry Department (if
such a department even exists there,
I admit that I don’t even know.), rather
than the Chair of the Theatre Department at my undergraduate college. Let’s say. And if I, the overly-confident and determined undergraduate junior, had made an appointment with her, and on that appointed hour had then walked into her office with the proclamation that my one true goal above all else
in my life was to someday pen a poem
that would find its way into a very important compendium of
the sort that is often touted as
a compendium that houses several very important works (of this or that poetic nature), well, I can hear her say to me as if it were this precise moment: “But young man, what do you know of Poetry?” She’d know, of course, that I had been a chemistry major for the previous two years. “What you’re telling me certainly isn’t Poetry. Talk to me about Poetry. You must most certainly know that you are not reciting for me a Poem. No. What you’re telling me now is nothing but a silly & ultimately penniless dream.” And she’d bite this part off through teeth that are clenching the spindly end of one of the thin, golden, ear-hugging arms of those Ben Franklin specs, “And it’s not a very effective dream, I might insert.”
as once I wanted to write for the soaps, Santa Barbara, One Life to Live. —Kevin Killian If I were to relate this to myself it would be easy. I have two degrees in theater. I caught the acting bug early, but hemmed and hawed my way through most of college (a chemistry major, mostly), before one very determined visit to the head of the Department of Drama. My goal was simple (“If they could do it, why couldn’t I?” I had surmised, using all
means of logic): I wanted to land a job as an actor on a daytime soap opera. That was it.
Putting aside for the moment whatever I must have been thinking, however I must have arrived at it, I do distinctly recall the clarity of vision, the this is my one true goal.
She kept trying to see it in me, I could tell. She was squinting, leaning back in her roll-around chair, looking me up and down through her tiny circular Benjamin Franklin lenses. She had friends who made a living doing exactly that. My goal. So I figured I had come to the right place, and had expected a cheery vote of confidence and encouragement. What I got, instead, after all of her apparent consideration, was a simple “But you don’t look the part.”
I have never once appeared in any televised soap opera. But as I mentioned at the top, I do have two degrees in the dramatic arts.
but you said, didn’t you say to me, that this was a moment when i could start completely anew? a time i could start fresh, could liter- ally reinvent my self? and were we not just agog with all of the... possibility?
“You’re such a person! Such a person!,” I thought (“You give everyone just the right imagination to be less than bland...”). And then, as if it were 1975 all over again, I actually attempted to hang up the phone.
You verbally acknowledge nothing, ask “Why do goth people all look so sleepy?” I shudder, wondering on which side of the fence you meant that to be. This creepy slide-show has been such a gas, but we’re both exhausted and hankry (as you say, being both hungry and cranky). To get here, I’d limped the entire way, half a block behind you. Whew! A San Fran- cisco taxi-cab oasis isn’t a mirage. Cab-light on or off, it’s always a gamble. You were waving for miles; refusing, however, to show a lick of leg. Fetish- wise, that’s how the cookie always crumbles. My sigh is just a little too audible, seems to cook the spirits of the glazed-over. “A ratchet, a whisper,” again, just barely into my ear—a feather duster, not a french tickler— “another ratchet, another whisper.”
Maybe I got so angry because secretly, stubbornly, and in exhaustion, I couldn’t see any other way to proceed, to fail until something changed. —Stephanie Young
Will the narrator ever fly again? —Michael Burkard
I’m more mixed up than ever before, going back and forth among different eras, landing in multiple time zones, sometimes seemingly all at once. Here I am, an iris. Here I am, a dahlia. There I was....... a begonia.
Yesterday, I stopped at my checking account, but apparently I got lost after that. Did I a) clean the apartment considerably? It could be that I considered cleaning the apartment. That is, on a scale of 1 to 10, extremely messy at the moment. This, and that 10 equals b), should be your biggest clue.
I like that I live here. Also the immediate retort (or often more like a snort) of “Snob Hill” (more like, simply, an upturned nose, as if directly after becoming ill, or ill- informed, someone just gets it). Beams all strange, but, you know, beams, walking with the students on Pine Street, which is most of the faces I ever see. Those dogs are pugs, and they are probably mostly students at the Academy of Art.
Would I really know? I only speak with Tony at the cash register down the block, and with cabbies to and from. Not the
block. But, in general.
One could draw out a pretty long argument about most of the students of the Academy of Art, of course; it’s never too early to cast your case. I’ve taken to verbalizing this and other probabilities when my lower back is so tightly wound with pain that I can’t even walk away from formality.
I’ve been rudely informed that it’s time. For me to sit down a bit. Or if I said “for a spell” – you know, rather than “a bit” – this chronic lover that speaks of nothing but pain. “Bring him his chair full of cake and rubber you colossally glum sacrum; you bitch-hound of an art- hritic coccyx!”
I spilled the entire box of cotton swabs onto the bathroom floor this morning while listening to my new favorite song, which is called, appropriately enough, The Rising.
And I was feeling so much more on top of things, too, having won nearly every round of Word Battle that I’ve played this week.
I should learn to scrutinize the evidence much better, because later, after what I thought’d been a successful attempt to rally back my mojo,
I go to meet Otto for dinner at Sam Wo’s in Chinatown—in honor of the Chinese New Year— and wouldn’t you know it but Sam Wo’s is closed. For Chinese New Year.