it’s a meaningless
halloween and i’m
tripping backwards
through time to land
a tipsy figure upon a
diorama, a tiny version
of something that’s a bit
fuzzy but did certainly
occur. it’s me and a
bunch of strangers
now. i wind my
pointer finger up
to catapult from my
thumb and flick each
character that is so
carefully situated
within the tiny set.
flick! flick! flick!
there are such better
things i could be doing
with my time. i’m no
longer a masked crea
ture roaming the dark
streets, enjoying the
holiday frivolity, or
throwing a party,
i’d flick represent
ations of each of the
partygoers, should i
be presented with a
miniature version of
that spectacle. alone,
reading poems from
a dated collection,
fuzzy but did certainly
occur. it’s me and a
bunch of strangers
now. i wind my
pointer finger up
to catapult from my
thumb and flick each
character that is so
carefully situated
within the tiny set.
flick! flick! flick!
there are such better
things i could be doing
with my time. i’m no
longer a masked crea
ture roaming the dark
streets, enjoying the
holiday frivolity, or
throwing a party,
i’d flick represent
ations of each of the
partygoers, should i
be presented with a
miniature version of
that spectacle. alone,
reading poems from
a dated collection,
trying creatively
to be thankful, to
paint a small portrait
with a few basic strokes
of a moment in which
i was present, but there’s
no warmth in that, no rush
of blood or adrenaline that
comes from this perspective.
and were i to go back, if i
could somehow look through
the years to the dim silhouette
rocking back and forth in an
attempt to meld the present
with the future (as i do the
present with some bereft
past), well, i would never
have made it to this place,
to these thoughts, this
moment. i would have
to be thankful, to
paint a small portrait
with a few basic strokes
of a moment in which
i was present, but there’s
no warmth in that, no rush
of blood or adrenaline that
comes from this perspective.
and were i to go back, if i
could somehow look through
the years to the dim silhouette
rocking back and forth in an
attempt to meld the present
with the future (as i do the
present with some bereft
past), well, i would never
have made it to this place,
to these thoughts, this
moment. i would have
flicked all the superfluous
characters to points outside
of the frame of the painting
(new frames are construct
of the frame of the painting
(new frames are construct
ed to further imprison) and
run like mad in the opposite
direction. with time, hap
piness vanishes. so it is
imperative to know when
it is time to make a run
for it. otherwise one
waits an entire lifetime
in solitude planning
the great escape.

















