over two decades in the making.
a timeshifting autobiographical poetry collage w/photography.
a diaristic, nearly "daily writing" (ad)venture.
new pieces are posted most days..
**new and in progress** --
recordings of each poem are being added.
these are read by the author & posted to each poem's page.
--Del Ray Cross (contact delraycross at gmail)
And we found for all ghouls a ghoulopolis, I suppose. —Alice Notley
I don’t even know what I need anymore. When I picked it up for all of its buzzing, I can’t even remember. It’s like a night- mare. [The name of this one is Please
Make a Mixtape with All of His Genitals.] Where was I? Nightmare, of course. And where are you? Not here, never here. Never when a nightmare is here. Never
here then. Not ever. And where are you? Where are you? I don’t even know what I cried anymore. When I picked you up, hushing and hushing.
I’m at a table with a bunch of men (a scene that brings to mind the old domino hall back home), one of them talking all the others’ ears off about how he started studying Muslim after 9/11 because he wanted to understand (he compares and contrasts it to/ with Catholicism). I have a peach and banana smoothie and I rented a Pontiac to get here, and even- tually to Mills for a conference at which I will be sitting in on a panel discussion about How to Make It As a Poet in the Real World.
I just spent $25 on Elvis Bingo. He’s leaving the building in 4 days or less and I have 2 prizes to go before the puzzle is conquered, is all mine. “That’s what she said,” drinking soothing tea. I’m not on a roll. Unless I continue for the next couple of days. The parenthet- ical pickle jar is pretty odd and enticing, I think, dipping my fingers into it, deep into everything
Taking my mostly naked notebook to the underwear party and holding my 3-day weekend at 1:30am to dance x 3 as sleep finally settles in do I go home just like tomorrow’s mass age or do I go to the steam room the steam room sounds so good right now.
There is never enough time I’m an uncle again Ginger’s newest girl born Monday Bethany Kay received from Otto and myself a few days ago a plush tadpole named Ted that soothingly sings when you hug it.
I’m practicing the art of forbearance, juggling bank. Practicing our personal accounts in front of a group of retainers, or, attendants, divine comedies, brewing the elements, pausing to smell our roses that are suffocating beneath the wooden clouds. We notice $6,000 in the bank. I’m (therefore) full of courtesy, curtsy, and it.
We’re up to 1976: the Pinto station wagon (with its faux wood ex- terior) and the long lines at the gas station. The attendant is wear- ing the exact same sweater I am (well, not exactly), in the style of a Jack-in-the- Box burger with bacon on ciabatta bread, so decades must have disappeared, not-
withstanding the side streets and alleyways filled with beautiful boys who can’t afford a box. We take it to go. I’m about to fall (I know this already).
I rented a bunch of movies that I interject with comments. Otto, who generally hates when I do this, came home buzzed from cheesecake. What’s the bottom line? Please let it be less than rock bottom, which I thought I hit yesterday, and then today, but now I’m pretty sure it’s left to somewhere in the future. Like, perhaps, tomorrow.
My biscuits were burning this morning. It made me too upset; I mean I
was livid. The subject of my argument, leaning on mere words (slipware ... syrinx ... ramify ...), is in my humble opinion, utterly unimportant. So we split up into branches or constituent parts.
Clouds are always best imaginatively described. They encourage this. Today, they are wooden and wonder where I might have gone.