watching the cigarette-lit buses
exiting back bay station was a
lot of real stuff for me, but there
comes a time when things that
surely happened, when the distance,
from here in my gut right now
along the vector that goes back
in time some 30 years is so wobbly
that i know the routine: it
begins to blur out in gaps of
longer distances that i’ve
furrowed into my forehead,
a permanently-terrained top
ographical map. but today
i’ve managed a quick sketch
punched into the keyboard
of a laptop on its last legs.
until all i can conjure as the
after-image repeats itself
are the pacific coast of your
ice cream eyes, and me,
hunkered down over on
the other side of some
sort of table, which i think
but never did (yet weren’t there
consequences that still resonate,
within this snapshot
of a laptop on its last legs.
until all i can conjure as the
after-image repeats itself
are the pacific coast of your
ice cream eyes, and me,
hunkered down over on
the other side of some
sort of table, which i think
is made of ice, in the
frozen back bay breeze
of my imaginostalgia-nation,
a scene that now has happened
frozen back bay breeze
of my imaginostalgia-nation,
a scene that now has happened
but never did (yet weren’t there
consequences that still resonate,
emanate from it?). after banging
the event into reality i’ve clicked
the filter faded dreams. so that,
the filter faded dreams. so that,
whatever the case, this is all
i now have left of it. and
i offer it to you, today’s
odd screening, more a still life,
i now have left of it. and
i offer it to you, today’s
odd screening, more a still life,
this latest piece projected
onto the silverfish-colored
celluloid that is the back of
onto the silverfish-colored
celluloid that is the back of
my eyelids, for a brief moment,
that has since faded, like
always, and would be as lost
that has since faded, like
always, and would be as lost
as the dreams that throb with
clarity upon awakening that i
clarity upon awakening that i
fail to record immediately
into the small, leather-bound
diary that sits bedside like a
lover or an old friend –
so that within fifteen
minutes to perhaps an
hour the dream vanishes,
wiped from memory’s existence.
into the small, leather-bound
diary that sits bedside like a
lover or an old friend –
so that within fifteen
minutes to perhaps an
hour the dream vanishes,
wiped from memory’s existence.
but this one is no figment now.
because i’ve spent a few
minutes banging it into
history. i present it now
to you, my muse of the
to you, my muse of the
moment. i mean i see
you, i hear you. we exist
you, i hear you. we exist
within this snapshot
that might live forever,
for always. and yet,
that our paths never
once crossed in boston
is the one bit of reality
is the one bit of reality
upon which I shall
remain certain.