Essentially, this begins around the expected ending of the middle period, although expectations are a truly rough head screw (just between me and you)—
but what am I even saying? Give me some one who is not at most moments, with little respite, aware of this beast we ride from the start and, yes, to the finish, in this, surely our singular—
our one and only—existence. Blah, blah, blah. While wearing our costumes of today, beigey taupe, and to morrow (and tomorrow and tomorrow), taupe-tinted beige. And it’s once again from the start, back to the middle and
around again. I’m gonna be there ’til the end. And then once more, but all shifty-like: I’m gonna do this once again. Hope is hope, folks, and let me tell you now kiddos that 100% is never enough. What I meant to say is I hate being disappointed.
And it did, of course. So our now healthy hero bought himself a long round of golf. And, as these things gen erally go, it was quite an expensive round.
Our hero nevertheless made a valiant attempt to remain upbeat about his health and the round of golf. This was a celebration, after all. However, things were really starting to get to
him. The course was too coarse for his taste, for example (but I’d suggest that you trust a narrator when he states that our hero never tasted that great, anyway—so it was what it
was). Also, on this particular day, all of the golf carts had been replaced with horses, which were to be saddled by each sad golfer. And our dear hero had never been to one cinema in the great
Southeast for to see a double feature Spaghetti Western, much less a single feature Western of any cuisine or flavor whatsoever. So no golf carts and no saddled subsitutes. “Things are
getting a bit sticky for a celebration,” thinks our hero. And that is just when it was found that every golfer’s balls were at least a little bit mildewed; and none moreso than our hero’s
poor balls, which were irreversibly gunked up with green and gray muck. “What rotten luck,” thought our man of the hour, the earlier pekid but now perfectly healthy yet quite distraught
once-upon-a-hero. Who was now, it would appear, making his way swiftly toward an exist ential crisis of some potentially invaluable relevance to his erstwhile ordinary life. And
so it was. A gamechanger for a real live human being was most certainly about to transpire. (And
The misadventures of my youth included tons of melodic ad venture: brass mouthpieces freezing my lips off, fingering chopped and screwed Scott Joplin chords in record-break ing slow motion, faring Ol’ Joe Clark well in chamber chorale on many an evening or afternoon, sometimes with disappointingly tiny audiences and other times with the arrhythmically tachycardic panic attack anxiety and sweat that comes when you’re on a tiny stage with four or five other tiny humans amid throngs of mostly drunken festival attendees with nothing for ammo or armor but your vocal cords. I took piano lessons that were paid for in hard-earned fashion and almost never practiced for any of these weekly outings (these lessons took
place mostly at the mid-sized town of Fort
Smith, Arkansas until I graduated from high school in an even tinier enclave in a sprawling bit of Ozark rural-suburbia that existed a couple dozen miles away from Fort Smith, and then for
three more years at a gem of a liberal arts college
down the highway a bit from Little Rock, where
I also took a couple of years of voice lessons!). As I let this sink in to my own little head, allow me if you will to pose as an educated guess that during all of this time the average amount of weekly practice these fingers had each week between those piano and voice lessons: cumulatively around fifteen minutes. Plus, I sang for and with puppets that I some times also puppetteered, performed in many church musicals, tooted a trumpet and tinkled the ivories a bit for a jazz band, played xylophone for an award- winning half-time performance at no less than two dozen high school football games for a percussive interlude that was a version of (for real!) John Denver’s Thank God, I’m a Country Boy which took place be tween our marching band’s performance of the theme
from Rocky and our grand finale, a version of On Broadway, during which I had an improvised fluid high-pitched swift-paced (ta-ta-ka ta-ta-ka) brass solo. I was even the senior high school band president. It was my junior year. Somehow, musically, I’d go on. Three years of choir tours at college, hitting all the “larger communities” of Arkansas (and some that were even a wee bit beyond). I played Reveille while marching for a couple of miles in a Veteran’s Day parade. I did organ and grand piano solos, vocal solos, duets or special choir performances, usually when the plates were being passed around, at the Baptist church in which I practically grew up. I sang a duet of Bette Midler’s The Rose with another strong-willed and lovely redhead whose name was Kim Burton at a Valentine’s Day Banquet when I was thirteen or fourteen. On several occasions, I’d be the adult choir director and/or the Sunday morning service music director at my church, also as a teenager. I sang at more weddings and funerals than I can count, again, mostly all as a teen (this I sometimes think is the primary reason I began to slowly exit the musical performance scene that had always played such a large part of my young life). I played Nathan Detroit in pretty swell community theatre production of Guys & Dolls the summer I turned twenty-one, and a few years later, in the early 1990s, I pretended to be Elvis (more hip- shaking than singing, this gig) in front of hundreds of people in Bowling Green, Ohio during a summer theatrical production that I thoroughly enjoyed. I wrote my master’s thesis on a postmodern opera director of some renown. And I was piano accompanist for a 2nd grade version of The Nutcracker and (clearly the most amazing—and most amazingly impossible— accomplishment) was two of the four-handed piano accompaniment to many of Brahms’ Liebeslieder Waltzes night after night and day after day for the Hendrix College Choir’s spring tour during my junior year in attendance there. So you first might imagine how in the world I did all of this, especially the piano performances without much practice at all, or certainly not enough? I’ve really no idea. But what I do know, as I listen giddily to my “Discover Weekly” playlist on Spotify this week (and do they ever have my algorithm, my list most always being a motley assortment of the most bizarre but generally upbeat ditties that a beat can be found within but yet the songs otherwise would most all have some difficulty finding homes in any of even the most newfangled genres; I’d call it a bunch of happy synthetic and organic noise combinations that exists on whichever week’s most far-out fringes of whatever might be called pop), is this: that whatever my commitment, whatever my patience or my discipline has NOT been in the study of music, the
education of music, despite the lack of taking it
serious enough to practice on my own before so
many musical performances that I always found
myself doing, music has been an integral part of my life, and for as far back as I remember. But I’m not a musician. Maybe a bit of an afficianado. But. I am always more than happy to spend whatever time it takes to put together a few lines like these to tell and/or retell such seemingly inconsequential stories, or build
collages, pastiches such as this
one that I am presently over
doing, for example. This is what I DO:
spend my time practicing, with disc ipline and commitment, as my friends here on the bookshelves around me can at least attest, this is a thing about which I have made quite a point to set aside the time for a long-term, ongoing education and practice. Which means I can spend hours on it pretty much every single day, often humming a few bars of some tune or another as I go at it. Relatively speaking, for me, it is this act that seems to be my one indefatigable passion.
That was the day that I had. And entitlement, if I am being real here. But isn’t entitlement sometimes just craving a tiny
break from being beaten down (says the white guy)? I’m generally the odd one who’s rooting for the underdog. Is it so wrong to admit
that I’m tired of this underdog decade? It may sound a bit too Gemini—does that always have to mean hypocritical—to say in one
breath that I miss the pre-diminu tive canine era and with another get passionate and empathetic about in equality and the lack of world peace? I
was a poor kid. For the longest time, the closest I got to a school of hard knocks was getting through graduate school. And yet I got through it. With a bit of encourage
ment here and there, but otherwise on my own. And I’ve known success, lived wonderful years that were replete with the blessings of love and friendship
and frolicking and no small bit of the heartache that goes with it all. So if I say, as I peek my eyes just slightly over the fog that’s yet to lift in this
decade of dog days, “Hooray!” it could be I finally ditched those assholes at
T-Mobile. And got an upgrade to an i Phone 14 Max, to boot! Oh, and may
be mention that I followed that with a burger, fries and a milkshake after wards. Does that make me entitled? Probably. Sure. But what are we to
do when we lose the celebration of life? Is it really any conundrum, the answer to that question? Be nice. Do good. Give it away on
occasion, if you have it give. But celebrate all the life you have anytime you can. How else can we loosen the grip of unfairness and inequality? Be aware.
Find your happy. Spread some love. And maybe save getting pissed off until tomorrow.
The moon’s backwash is like a deeply incised hairnet against the stadium. —John Ashbery
You can’t control the airwaves. And don’t even talk to me about the neighbors! In this place? You can’t pick your neighbors here. Forget about it. And if there is some
sort of hairnet in the sky, as you might imagine, what you experience when it comes to night visions—or even daydreams for that matter—are all caught in a communal feedback
loop. So let’s say you’re one of an endless bunch of bodies stacked like sardines into a massive complex. And that the whole gang of said sardines are degenerates. Now you’ve
really got a complex. Dreaming and redreaming the dreams of a gargantuan tin of dumb sardines.
I can’t write about this. Because*. When is the last time this happened? Perhaps when I took a Xanax and went dancing with a massive box of overcrowded straight people (that’s my judgment, as well-educated as it is or isn’t; an indication for you to judge me, okay?). I’m rereading Pet Sounds. This is relevant only because it’s what’s happening. I want to accrue diaries again; write them; read them. I wrote a piece a few days ago to put in mine, which for years has been electronic, an “app” that I never add to, but one that automatically, inserts all of my so-called social media posts into it. That’d be Twitter, Instagram and this Anachron
izms blog. As I post them (boom!). I only ever
tweet to tout. What did that guy on Facebook call it
yesterday, to self-promote? “I haven’t self-promoted
in a few weeks,” he noted, “so[and here he inserted a
self-promotion].” To which my initial reaction was retch.
But why? Isn’t that just utterly ridiculous? All I do on
Twitter, as I just said, is self-promotion. It’s true. And
if you ask me if I market my work, if I “self-promote,”
I’m more than pleased to proclaim that I do. And what
of pride, and the joy of running a little magazine (in case
you’re not aware, it’s called SHAMPOO – and you can find it
at shampoo-poetry.com, which is not the original URL -
[muffled curses]). Back to Pet Sounds. I’m doing the
typing here? Sure, but look at me now typing “subversive
marketing.” What’s that—anyone? It’s a loaded, hypocritical
question, with apologies. But feel free to send me your
answer. It’s easy to get in touch. Oh, I don’t really need
to know. Would your answer change my mind? It’d
certainly cheer me up. Jeez, I do persist in limiting
an audience. But, yes, I like my marketing subversive,
to a degree. And I’m fidgety, so it keeps me doing some
thing. For example, I do this (that) (which is take out my
trash). Then I do something else (this) (I sit a while and
write a few more lines; bloated). One of the joys and
sadnesses of any Oulipian limitation is that I cannot
write every single thing all at once. Quick, what are you
thinking?. I’m not asking you to exert yourself much. I’m
only wondering who you are. And where you are in time
and space? It does bring me joy to wonder. Even though
it’s legitimately impossible to disccern.So then what I get
instead of joy is consternation; there’s a negative side to
everything right? Or maybe not. Everything’s relative?
Ugh, family! No matter what a dictionary suggests, or a
know-it-all demands, we move forward, so where was I?
Do I, like these words, need your existence in order to exist?
I believe in you. You can do it. Exist! There. I’ve had my fit.
I’m starting to reread a lovely book by a person I know dearly.
Her name is Stephanie Young and it’s called Pet Sounds.
* I must really get a job. With a postscript to Stephanie: Yes, I picked up another copy.
and a difficult one at that. but one in the end, i can say, which felt like abandonment moreso than a passing, as these things often must surely seem. but this being the first of
such of its kind, perhaps even the last, which was brought about by the literal end of a life, how am i to blather on with any authority about that solemn notion; all of the rest of mine
have come to terminations much less mortally and more metaphorically. either way such an ending is physical, visceral. but when i heard of his passing, all i could think was how he’d
been the one friendship to which i had found it once necessary to finalize. and yet, fortune of fortunes, until the sad day of his demise, he in stead remained cordial, empathetic, understanding,
and with that familiarity that comes from the hundreds of hours one puts into these things we call the real deal. even as all of the others disappeared in the wake of a path of some del
usion, of some destruction, as far as i still know (don’t ask me to do any further research, however). they’re all still out there, cold hearts bumping away at someplace out of my periphery, which, sure, is
another way to be dead. but this one, who is gone for real, not just dead to me or dead spec ifically for me, is actually gone. and i miss him. and that familiarity. and take comfort in the
hard fact that i could never simply slip into an abject avoidance of his existence, even after our unfortunate but necessary ‘falling out.’ it remains one of life’s greatest mysteries, to me,
how anyone could even, would even, find that both feasible and possible. friendship as a capitalistic in vestment, perhaps? a metaphor, really, but a real way to see it. more as that which sustains. have
mercy on those who see humanity as anything else. and on those of us who see it as so big, these bonds so irrevocable. but more than anything, a deep gratitude for this friend, and of his rare choice of a
palpable if not yet a mostly performative permanence against the definitive transience of life, this existence, which, in reality, of course, is nothing less than—
(a send-up of his poem “In Defense of Nothing” in which the first two words of each line are the same as in each line of his)
I guess it is a big weather day today here in the San Francisco Bay Area. I guess that most businesses are closing around 3pm when the storm is expected to arrive. I guess the “bomb cyclone” is not affecting Tu Lan which, fortunately for me, is where I shall grab a late lunch. The present can be regifted; history repeats itself (we just had the wettest day on record only a few days ago). It’s hard when one is living as I am to say that any of this is bad news. This sky looks ominous, but the sun is shining just as much somewhere behind the darkening of it.
aging strong, at its highest speed, because i can better function with the din of white noise, whether awake or asleep or attempting to find my way from one state to the other. as long as the noise is at least as indecipherable, is voiceless, non-verbal, as radio or tv static, no station available. just these
machines, three fans and an air purifier, almost always on. once in a while, say
every three or four months, i might flip one
or more of the dials to off in order to allow
for a more exaggerated silence. radio silence. so that i may hear the “noises” in my head (let’s call them thoughts), which accumulate over time. the
white noises stopper them, keep
them muffled for a duration until
they become unmanageable. this
tactic works. the noises in my head almost never divert my
focus. with the white noise they
don’t distract. this cacophony of
various noises which can be separated
into stacks, into types (i can’t help but
do that if made aware of them).... so, inevitably, this clamor fills my
head to a point at which it must, of course, be drained, swollen as my head becomes. my friends, when i had any, found this telling. maybe they understood my feelings about intelligence. maybe not. ‘intelligence’ being brain build-up.
about smarts i feel strongly, strangely. and this cacophonous assemblage dulls whatever smarts i thought i had, makes much more difficult the very act of differentiating, of existing in some sort of normalcy (at least one that normal folks might suggest is so; so much is relative, so normalcy, while
theoretically calculable, is difficult to pinpoint). and so, once the switches have been turned off, the excess noises semi- identified, and at first put thematically together to note for further evaluation at some distant point, then to drain, then the three fans and the air purifier, those mechanisms that fill a tiny home consistently with inert (untranslatable, indecipherable) sounds, my precious white noise, this motley crew of distraction is cut for enough
time too smooth out the disturbing voices.
and this internal chatter
begins to slowly make its way
down my insides. it gets filtered,
makes it through my throat, my heart,
all of my organs, until my
more decipherable internal
clatter dissipates, evaporates,
and finally extinguishes itself.
and when the voices make their ways individually
down, by the time all of these distracting
jumbled clumps reach my knees, i am free
of this cacophony, and each buzz-
whimpering thought is free of me.
i flip the white noises back on.
the hubbub of distracting voices
can begin to accumulate once
again, without diverting my focus, until it is time to drain and filter, to cycle out these “noises” once again.