Something comes undone, I can feel it, but I’m not going to say that I love it. Like belly buttons way before they’re ever sexy. Unless you go for that shit. Somebody always does.
I’m working on this thing. It’s a process. We all work. I spend an hour or two trying to de cide if that’s just fantasy. We’re all messy fakes and it is fuckin’ fantastic how much dirt
shows beneath the tips of the nails; we’re just two disagreements from the hammer really banging ’em in, our piney lids, our soft- spoken sepulchers. Nobody’s getting re
ligious just yet. That’s a good boy! I’m reaching under some pronounced jawline to give a little rubby-rub into that soft goatee that sprouts like a tiny upside-down haystack
about two inches too close to the pooch’s goozle. The doggone eden’s apple. The mange gets a thrum of electricity that flows through it, scrunches the mangled haystack of the concocted chihuahua,
cradled, as it weren’t, like a mewling ampersand over its mamma-daddy’s pin-pricked forearm.
Approaching the End of Some Things (Good and Not-So-Wonderful)
I’m looking forward to the next return (of Saturn). I don’t know
what’s around the corner. If life’s taught me anything it’s that I
cannot predict what’s going to happen but I look forward to the
first human robot marriage on tv and um that we will have run
out of water and we’ll be drinking other things duringthat return. —Amy Poehler on a podcast episode of Good Hang**
You know how it is when you get almost to the end
of a book that has blown your mind? Some of you do
(show of hands*). *Attempting to pretend I’m not taking
this notion very seriously. Except I am. Diane, by the way,
you rascal you, I love the angel on the cover of your Christ
mas card (the only one received this year by me). I’m having something lately that I don’t have very often: family angst. All of the bronze-colored stars around this bronze-haired angel
make me feel just a little bit rich in my paltry apartment. Today,
this morning, two days before 2026, this is a good thing, and I
appreciate it. I appreciate you, angel surrounded by bronze, which
is to say I appreciate Diane. And the book I’m almost finished reading
by Kim Hyun, yes, entitled Glory Hole. Mind-bending. That’s enough for now.
I open the photographic pages to Dad’s birthday, December 27th, to determine things that have happened on his birthday. For this exercise, I make nothing of the fact that he has been gone for nearly
twenty-five years. These are just things that happened on December 27th. Which is not entirely accurate, nor even likely hardly accurate, given that the dates on so many of my many photographs are incorrect, have been
waiting to be corrected, a process I’ve been going through for what seems decades now. Has it been that long? Here are some things that occurred on Dad’s birthday. A man sits at a desk in a home I resided for thirteen years. The man
is awaiting his transition into the enemy, into evil. In 2018, an unidentified person, a blur, really, passes two trees decor ated for Christmas in what appears to be a mall. This shows up handwritten on the date January 7th, 1961, written by his
mother-in-law at the time (my maternal grandmother): Glenn came in tonite with his family Thurlow’s Dad had passed away. On that date in what is noted as 2014, Hiro and I are in line to enter the Endup to dance. Hiro is visiting. Between and behind
our faces in the picture is the face of a gentleman with whom we were both flirting for the duration of standing in the slowly moving line into the club. All smiles. 2023, a nicely made up bed in my last apartment, everything so clean and tidy it for a moment re
moves the nastiness that I now associate with that over six year home of mine. 2016 – in a apartment building I’d never been before, on a jaunt with a friend of mine, a photo of me with my phone apparently taking photographs of this apartment building lobby in which I had set
foot for only the first time. My stance is more that of someone who has a gun in his hand and is ready to use it. But I’m smiling. And I’d never. At a Mexican restaurant in Dallas, Texas, it says, with my friend Don and his partner, Patrick, who passed away several years ago. Big tipsy smiles.
I’m at a grocery store, perhaps in Chinatown, the photo is entitled “Copy of
Green Vegetables” – nothing can be seen in the photograph except for what appears to be zucchini, or possibly cucumbers. Most likely zucchini. A photo of me in a peacoat and with a mask, during the pandemic, a bit
of an unhappy look can be discerned upon what you can see of my face, and there is a caption in yellow: “have i mentioned that i’m hungry?” 2011, photographs of depictions of critters, likely in some department store, of: a dragonfly, a blue and white bird, a sleek dog or maybe a fox, a turtle, a
ladybug, a parrot, it appears, wearing a top hat, I can make out parts of additional dragonflies and turtles. Probably a completely incorrect date, but it says 2016 (has to be 1999 or 1998, probably closer to summertime) me standing out on what would be the land’s tip at Provincetown, Mass.
No depictions of my father appear on the pages in which I used the simple search of “December 27” – there seem to be only a couple of photographs even from before his passing in 2001. The exercise feels a need to be twinned,
I would think for better purpose, with photos from another search of his name,
I am the founder and editor of a magazine. It has been on hiatus for some time now. Years. In times of crisis I might say, “I’m going to start working on it again.” This is
a time of crisis. However, this is also the day after which I made a promise some months ago that at that point (this one) I will begin working on new issues of the
magazine again. I figure if one says some thing publicly, like I am doing now (mega
(Tossing out the garbage. Preparing for what’s new.)
It is 2025. These are strange times. Why not note this with a year. There are always split screens, but do there always have to be? May be. In 2025. And it is Christmas Eve. Man,
what a shitty holiday season this one is, and surely will end up being. So low on the list. Obviously, the Fall/Winter Holiday Season and New Year generally have been times of
significance. Among the strangenesses, a lack of clear perspective. I, for example, have been perhaps exaggerating how low this season is on the list of all seasons, on
the list of the past decade of seasons. The
Holidays, to my mind remain the worst time
period, a decade, too. How can I gain perspective?
I cannot trust myself. And I’ve so few people
around (I count three aloud, who, 1 with more regularity, who really knew me earlier than 2015 – there, I’ve split a screen – 1 who knew me from directly before the big
change, and 1 who is special to me but I see
perhaps once a year on average since, if that) that, well, how can one truly get perspective. To be unable to speak with anyone who knew
me back then. This seems to be the crux of so many of the problems that have arisen in my life of late, as I’ve for the first time ever dealt
with everything on my own, or just with help from
a distance or from, alas, the government. My few initially persistent attempts to make a difference, to have more reality infused into what was such an astounding and almost
unmanageable change. Hey, but I’m talking about it, and I suppose I have with some consistency, perhaps too much, but clearly, a bit more clearly. How do you know what I’m talking about? So is
this directed to them, the folks who just faded away all at once, some stating such damaging reasons (at least they told me, at least they had them), others just gone, some finally relaying nonsensical excuses
years later when I thought, well, at least I still have that person in my life, there had been no harm, no foul. But no. Not in the least. And the way each was unable to or the way they decided to explain or not explain – the
ones who acted as if all was normal. I had gone through what I’d not been able to imagine going through beforehand, normal life events for some, devastating ones perhaps or unimaginable for others. Merry Christmas. Who cares
what anyone thinks? Except. What I’ve been left with is a mind-boggling set of circumstances that were and are tragic. And damaging. Life, of course. But again, all at once, and during what was clearly the most horrid duration I have
ever known. So toward the next tomorrow, it’s the same
thing as always, only at this point, considerably worse than
it has been for a few years. Silly, vague whining I’m doing.
I want to think for purpose. I want to be less vague,
rather simple. And the goals I’ve reached in this, 2025, again with a timestamp, as opposed to each year previous for about 10 to 12 years, GOALS MET – a wonderful trip to South America, a new kind of relationship, dealing with
goals but not being able to meet them fast enough, making if not friends, at least new acquaintances. None of this had been accomplished since the set that vanished. I have such
gratitude for those three who are still around, what I call
the local three, and he two or three afar who have re mained, who make such huge differences. I no longer know the definition of family, real or chosen. The very concept leaves me exhausted when once upon a time, giddy.
But I persist. And I’m not sure that’s good. At least without significant change in my mode, in the way I go about it. I do not like how these sound, these pieces I build upon lamentations (chips on shoulders) and hopes, but they seem to insist upon
continuing to come, if but only, thankfully, on occasion. I do a lot of reflecting at the end of the year. Things to get rid of the grief of whatever has blanketed me, and ways to celebrate the newness of what is to come. Next to concentrate on that
new stuff. Or that is to my mind how life best works. Sometimes
I get stuck. It would be an easy time to start to find myself
slowly being pulled into that quicksand. I will not let it happen, I say to myself. And to you. With gratitude. Happy Holidays.
Suffocating girl with a shiitake-colored face. —Kim Hyun
We all want to look good. And from so far back (was it that far?) we have tried. It is oh so sub jective, this good looking. And how harsh we can be, thinking ourselves on the perimeter, out
of bounds (way outside the boundary), butt ugly. It’s a ridiculous thing that is perpetuated from day to day, from month to month and year to year. WE DO NOT LOOK GOOD! Who says? Mama? Daddy?
And why was that? How long ago? Still, it rings in our ears. Or perhaps that perception came from the books we’d read alone in our rooms every day and night (flashlights under the covers). “How old were
you when you realized you were sexy?” asks Chuck, the gay cheerleader. “Forty-five,” answers Fred, the dance-a-holic. To be Fred. Oh, to be Fred. And last forever and a day past forty-five on that dancefloor.
Boy-man takes control, wants the power, has it. The room is stifling for the rest of the adults as this goes on and on. Something in Japanese plays loudly in the room that is normally so quiet nobody notices anything
except breath. “What this room needs is a girly-gal,” mumbles the Grandpa, half-asleep. Once, as he sat in the worn reclining seat in what he used to call the den (there was a gas fireplace), he’d have the control – the mechanism
by which a thing called a television could be switched from station to station. But televisions went out of fashion long ago, then clean out of existence. A bit of drool at the left hand corner of Grandpa’s dry lips falls like a teardrop
onto his bare leg. The chair no longer reclines. Boy-man laughs at a scene in Japanese. Japanese laughter is quite unique, thinks Grandmother, who sits on the most unworn portion of the long sofa, directly across from the gas fireplace
that can no longer be lit, no longer warms, warmth being so completely unnecessary. She is moving her arms around. It is an imaginary blanket made of yarn that she thinks she is building. The crochet needle imaginary, too, as her real
crochet needle had been used years hence to eliminate
Man-boy’s mother and father. Did Grandpa do it? Did
Grandmother? Maybe neither knows. Maybe both know.
The main character is calm. Perhaps you’ve been following (me), which means I should maybe put in a spoiler alert warning? Spoilers. They don’t exist any more here,
presumably. At least in most generic cases. The train snakes through the once overpopulated desert terrain. Now they’re playing croquet with lesbian undertones before they head to a diner that looks a
lot like the one from Paradise. The mind wants to know what the writer is feeling, and she tells the mind that she used to have long yellow legal pads that she stole from her office job. I’ve made myself breakfast but I don’t feel like
eating it. Is it the barebecue flavor? I never liked barbecue. Especially sweet barbecue. And it’s messy. “You’re going to have a visitor,” says the mind, after reminiscing for the first time about when she was an individual and not part of the hive mind.
Then there’s my breakfast. I am getting an upset stomach from the sickly sweet smell of the barbecue. And me from the South, too. The show is over. She’s going to get a visitor. It’s become quite the suspenseful motivation so I keep watching it each week,
among all the other wonderful things I could tell you about it, all of which make it an incredibly fresh show. This, of course, is an opinion, and I begin to wonder what being an actual television critic might be like. My stomach sours thinking about that.
Because they eat each other? They eat people. This has become a pretty significant plot point. Oh, they don’t kill the people they eat. And they will starve in a determinedly short period of time (not via climate change). But they sustain for now, among utilizing other
ways, perhaps. By eating other people. People who have died. There is
always death and there is always living. Oh, I could tell you so much more,
but I’ve definitely lost my appetite for my breakfast. Who eats barbecue for breakfast? And these new humans, if that’s what they are, eat people.
Am I trying to tell: a) a story? b) feelings? c) what might have happened within these stories (these dreams) that might have led to a series of breakdowns? to a breakdown? d) to get it all out? or (the easy out), e) all of the above?
I could go on to say that this is an opportunity to perform a task, a set of tasks or, rather, to continue with a rather large task, to perform it, for you (me?) – Gawd! – in a, here we are, in a fresh way? Over the past few years, I have come to use that word (fresh) to describe to you (me and you) a preferable or more elevated item of a standard
art form. It could be a song. could be a poem. It could be a structure (a building, a city, a sculpture, a man-made something-or-other that creates a certain zing) ... to this admirer. The freshness causes a zing to occur at me. Within
me. Oh you ain’t got a thing if you don’t have that _____. Which in 1931 would have been fresh.
Question: Was the Windex commercial, which used the same tune, fresh when it started hitting the airwaves, it says here, in the early 1990s, a consensus would be around 1993?
Visions of a terrace with a cell phone ought to be engraved on the waiting skull, like Brahms. —John Ashbery (Was this a misreading? I’m not embarrassed to include it.)
Doesn’t that just sound like the title of a piece by yours truly? Thinking of vulnerability, in general, as a broadly realized topic. Realized as in I know it well. (She’s decorating her home with items she has picked up at a museum dedicated to the works of Georgia O’Keefe. Singing snippets of popular songs from mostly bygone eras. The 1970s. The 1980s. The 1990s. Perhaps the 2000s. Those bygone eras. She does seem to have gone through some sort of an upgrade. Taking on luxuries. This, an alternate apocalypse.) But not vulnerability based on being as embarrassing as I can be. That’s a type. A vulnerability concoction. Sure. But not that one. Does it seem that I’m laying bare my soul here? No.
Between each of these snaggled sentences are many others that are not written. Never spoken. The Paraguayan (am I dismantling that proper signifier as well?) fingers La Virgen Del Carmen. How holy is this intersection? But there is no cross. Only a depiction the size of thumb-able. He is stoic, but he has his own luxuries. Has he reached The Baja? Or is it just Baja? Well of course it’s not The Baja.
They were doozies. They all were. I wonder how many I can remember, sitting here, days later. But I can come up with several scenes and snippets from that last one, which I’m not sure wasn’t actually the last two. Or so. So let me shut
up and set the scene. Polynesia. Isn’t that an antiquated, perhaps erroneous, perhaps derogatory way to name a particular place.
Vulnerability. It turns out it’s not really a place. I mean it is a region? But more than anything else it’s a people. Now isn’t that American of me? Not to know something that,
before I speak about it, I should? Broad strokes.
But I didn’t ask for a code to terminate Facebook. Which might also be a place, but maybe could be better defined as a people. Oh, is this science fiction? You tell me. Or no, I’m telling you. Yes, it was science fiction. In many of the dream segments I was in (or above)
a place called Polynesia. Yes, for most of the duration I can re
member, hovering over it in an airplane. Oh, look! A bunny rabbit!
I’ve switched over to Pluribus, season 1, episode 7, The Gap.
When the house falls you wonder If there will ever be poetry —Jack Spicer
I think the main reason for the irrational emotional disarray that occurred off and on for a few days recently might have been the dreams.
Would you like to hear some blasphemy? I’ve gotten rather annoyed with the inordinate amount of stacked Jack Spicer lines that have found me reading them, quickly lately, this
present Spicer era is moving fast, because I’m attempting to get my body through them? I break them into servings less eternal, less infernal with my favorite television shows.
To think that I can intersperse my days and nights with these brilliant burbling brooks.